9
Nov

STRUCTURES OF FEELING (PANEL CONVERSATION)

This is a conversation on hierarchy versus organization: hegemony versus desire. As an extension of Konstmusiksystrar’s participation in Sound of Stockholm, we gather young female artists to discuss the economy of sound making, of being seen, and methods of claiming space. In what way do our methods provide new structures, how do they sound and […]

9
Nov

CATERINA BARBIERI

Fantas is a new composition by Caterina Barbieri for voice and synthesis in collaboration with Annie Garlid and Evelyn Saylor. From the Italian word for ghost “Fantasma,” Fantas also shares the same etymology of the word “Fantasia” meaning phantasy. Fantas is a piece inspired by interference patterns and acoustic hallucinations produced by fast alternation of […]

9
Nov

ALGORAVE

Deconstructing the imagined barriers between music makers and the software algorithms being used, algorave is a method for live composition with softwares built for creating algorithmic music and visuals, such as IXI Lang, puredata, Max/MSP, SuperCollider, Extempore, Fluxus, TidalCycles, Gibber, Sonic Pi, FoxDot and Cyril. Algorave Stockholm is a non-profit organisation that promotes music which […]

9
Nov

BERGRÚN SNÆBJÖRNSDÓTTIR

Oakland/Reykjavík based composer, performer, and sound artist Bergrún Snæbjörnsdóttir recreates perceived metaphysical structures based in empirical observations on relationships and causalities. Thus, she consistently discerns her art to be an orchestration of systems, although she works in many media. She often turns to personally designed notation systems such as animated/graphic notation. As part of Sound of […]

9
Nov

KONSTMUSIKSYSTRAR

Who is allowed to be an artist and how do we perceive art and sound? Although a lot has changed within the field of pop and rock, women and queer people are still minorities in art education’s composer programs. Certainly for young or non-male identified composers, the field is very rigid. This is the inspiration […]